Cinema of Georgia
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| Part of a series on |
| Georgians ქართველები |
|---|
The
Kartvelian people |
| Nation |
| Georgia |
| Ancient Georgians |
| Iberians · Colchians |
| Subgroups |
| Zans · Svans |
| Culture |
| Georgian music Georgian media Georgian sport Georgian cinema Georgian cuisine Georgian dances Georgian costume Georgian calendar Georgian surnames Georgian mythology Georgian architecture |
| Language |
| Georgian language Georgian dialects Georgian grammar |
| Alphabet |
| Georgian alphabet Georgian calligraphy |
| Religion |
| Georgian Orthodoxy Adopted in 319 AD |
| Symbols |
| Borjgali Saint Nino Saint Mary Saint George Cross of Bolnisi Cross of Saint Nino Cross of Saint George |
| History |
| History of Georgia |
The cinema of Georgia has been noted for its cinematography in Europe. One of the most acclaimed Italian film directors, Federico Fellini, was an admirer of the Georgian film:
| “ | Georgian film is a completely unique phenomenon, vivid, philosophically inspiring, very wise, childlike. There is everything that can make me cry and I ought to say that it (my crying) is not an easy thing. | ” |
Georgian cinematography’s reputation has been built by known cinema directors and choreographers such as:
- Nikoloz Shengelaia
- Mikheil Chiaureli
- Otar Ioseliani
- Siko Dolidze
- Kote Mikaberidze
- Tengiz Abuladze
- Revaz Chkheidze
- Eldar Shengelaia
- Giorgi Shengelaia
- Rezo Esadze
- Merab Kokochashvili
- Nana Mchedlidze
- Lana Gogoberidze
- Nana Jorjadze
- Mikheil Kobakhidze
- Goderdzi Chokheli
- Temur Babluani
- Sergei Parajanov
From 2012, the main focus of Georgian cinema will be supporting script writing and European co-productions.[1]
See also
Bibliography
- Lauren Ninoshvili, Ph.D.: Singing between the Words: The Poetics of Georgian Polyphony', New York: Columbia University, 2011, ISBN 9781124334592
References
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